rachel rosalen

A instalação é composta por dois monitores com dois canais de vídeo, apoiados sobre três tatames. A obra que trata do face a face com a alteridade, um face a face entre as culturas japonesa e brasileira. O elemento central é uma espada que repousa entre os dois performers sobre o tatame (esteira tradicional japonesa).

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2006 _ CENTRE GEORGES POMPIDOU PREVIEW 2006, PARIS, FRANÇA

2006 _ MUSEU DE ARTE DE BELEM, BELEM, BRAZIL

2006 _ VIDEOFORMES, CLERMONT-FERRAND, FRANÇA

2005 _ TRANSLOCAL URBANITIES > love politics, YOKOHAMA ART MUSEUM, JAPÃO

2005 _ IMPLICITO/ EXPLICITO, GALERIA EL BORDE, BUENOS AIRES, ARGENTINA

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2004, Tokyo, Japão
17:47 minutos

performance: YOICHIRO OZAWA e RACHEL ROSALEN

Nihon Nikki is face to face in between the artist and another a Japanese man. This Otherness can have many faces. This meeting point reveals many small actions that could be read through the tension on the performers body. To touch another culture witch is radically different, in a way is the same to touch somebody’s face. The abyss that bridges the distance, here, was built with a sword.

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2006 _ CENTRE GEORGES POMPIDOU PREVIEW 2006, Paris, France

2006 _ MUSEU DE ARTE DE BELEM, BELEM, BRAZIL

2006 _ VIDEOFORMES, CLERMONT-FERRAND, FRANCE

2005 _ TRANSLOCAL URBANITIES > love politics, YOKOHAMA ART MUSEUM, JAPAN

2005 _ IMPLICITO/ EXPLICITO, EL BORDE GALLERY, BUENOS AIRES, ARGENTINA

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performance: YOICHIROU OZAWA and RACHEL ROSALEN